Poltergeist III

Details

Directed by Gary Sherman
Produced by Barry Bernardi
Executive producer
Gary Sherman
Written by Gary Sherman
Brian Taggert
Starring Tom Skerritt
Nancy Allen
Heather O’Rourke
Zelda Rubinstein
Lara Flynn Boyle
Music by Joe Renzetti
Cinematography Alex Nepomniaschy
Editing by Ross Albert
Distributed by Metro-Goldwyn-Mayer
(Sony Pictures Entertainment)
Release date(s) June 10, 1988
Running time 98 minutes
Country United States
Language English
Budget $9,500,000
Box office $14,114,488 (USA)

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Poltergeist III is a 1988 American horror film. It is the third and final film of the Poltergeist film series…

The Freeling family has sent Carol Anne (Heather O’Rourke) to live with Diane’s sister Pat (Nancy Allen) and her husband Bruce Gardner (Tom Skerritt). Carol Anne has been told she is in Chicago temporarily to attend a unique school for gifted children with emotional problems, though Pat thinks it is because Steve and Diane just wanted Carol Anne out of their house. Pat seems to have no knowledge of the events from the first two films, just noting that Steven was involved in a bad land deal. Along with Donna (Lara Flynn Boyle), Bruce’s daughter from a previous marriage, they live in the luxury skyscraper (Chicago’s 100-story John Hancock Center) of which Bruce is the manager.

Carol Anne has been made by her teacher/psychiatrist, Dr. Seaton (Richard Fire), to discuss her experiences from the first and second films. Seaton believes her to be delusional, however the constant discussion has enabled Rev. Henry Kane (Nathan Davis) to locate Carol Anne and bring him back from the limbo he was sent into at the end of the second film. Not believing in ghosts, Dr. Seaton has come to the conclusion that Carol Anne is a manipulative child with the ability to create mass hysteria and to perform mass hypnosis, making people believe they were attacked by ghosts. Also during this period, Tangina Barrons (Zelda Rubinstein) realizes that Kane has found Carol Anne and travels cross-country to protect her.

That night, Kane drains the high rise of heat and takes possession of reflections in mirrors, causing the reflections of people to act independently of their physical counterparts. When Carol Anne is left alone that night, Kane attempts to use the mirrors in her room to capture her, but she escapes with the help of Tangina. Donna and her boyfriend, Scott, see a frightened Carol Anne running through the high rise’s parking lot, and move to rescue her. However, before they can, all three are taken to the Other Side by Kane. By this point, Tangina and Dr. Seaton are both at the high rise, along with Pat and Bruce. Dr. Seaton stubbornly assumes that Carol Anne has staged the entire thing, while Tangina tries to get her back.

Scott is seemingly released from the Other Side through a pool in the high rise, and Donna reappears after Tangina is taken by Kane disguised as Carol Anne. Scott is left at his home with his parents. Nobody notices that the symbols on Donna’s clothing are reversed from what they were before she was taken. As Dr. Seaton attempts to calm Donna, Bruce sees Carol Anne’s reflection in the mirror and chases her while Pat follows. Dr. Seaton is not far behind, and he believes he sees Carol Anne in the elevator. However, after Dr. Seaton approaches the elevator doors, Donna appears behind him and pushes him to his death down the empty elevator shaft. At this point it is revealed that Donna did not actually come back, but rather the person who came back was a reflection of Donna, under the control of Kane, who then vanishes back into the mirror, with a reflection of Scott at her side.

Pat and Bruce struggle to find Carol Anne, but Bruce is captured and eventually Pat is forced to prove her love for Carol Anne in a final face-off against Kane. The ending is somewhat unclear. Tangina manages to convince Kane to go into the Light with her. Donna, Bruce and Carol Anne are returned to Pat, whereas it is never revealed if Scott returned or is still trapped on the Other Side. The final scene shows lightning flashing over the building and Kane’s laughter is heard.